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Tag Archives: Hydrophone
Winter: that which was then solid now melts
Winter with dawn and Sporty Four walks around a year: winter Gruenrekorder | GrDl 141 The final winter perambulation through a year in winnall moors is released by Gruenrekorder on January 15th 2014. I find something intrinsically melancholic in the … Continue reading
Posted in field-recording, four walks around a year, Gruenrekorder, River, sound art, sound walk, soundscape, Water, Winter
Tagged acoustic ecology, Chalk streams, electro-acoustic, experimental music, field-recording, Gruenrekorder, Hydrophone, Musique Concrete, perception, phonography, rain, River Itchen, seasons, sound art, soundfield, soundscape, spatial acoustics, time
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A remembered journey through a forgotten landscape
Autumn Equinox with swans and rainfall Four walks around a year: autumn Gruenrekorder | GrDl 140/13 The penultimate seasonal release from the series, four walks around a year, is released on the 15th October, by the German field-recording and sound art … Continue reading
Posted in Autumn, field-recording, Gruenrekorder, River, sound art, sound walk, soundscape, Water
Tagged acoustic ecology, Chalk streams, electro-acoustic, experimental music, Field survey, field-recording, Gruenrekorder, Hydrophone, perception, phonography, rain, Rhythm, River Itchen, seasons, sound art, soundfield, soundscape, spatial acoustics, subaquatic sounds, time
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a summer palimpsest
Four walks around a year: summer Gruenrekorder | GrDl 130/13 The slow release of the four winnall moors soundwalks reaches summer. The full 25-minute perambulation is available as a digital download (MP3/FLAC) from the German field-recording and sound art label … Continue reading
Posted in field-recording, Gruenrekorder, River, sound walk, soundscape, Summer, Uncategorized, Water
Tagged acoustic ecology, Chalk streams, experimental music, field-recording, Gruenrekorder, Hydrophone, perception, phonography, rain, River Itchen, sound art, soundfield, soundscape, spatial acoustics, subaquatic sounds, time
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four walks around a year: spring
four walks around a year: spring Gruenrekorder | GrDl 128/13 Stepping into dawn The four winnall moors soundwalks will be slow released during 2013 on the German field-recording and sound art label Gruenrekorder Digital. Such a durational release of the soundwalks … Continue reading
Posted in field-recording, sound art, sound walk, soundscape, spring, Uncategorized
Tagged acoustic ecology, Chalk streams, experimental music, Field survey, field-recording, Gruenrekorder, Hydrophone, perception, phonography, River Itchen, seasons, sound art, soundfield, soundscape, subaquatic sounds, time
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Walking on air: summer broadcast
The completed summer soundwalk, one of the four walks around a year in winnall moors, will be broadcast by Radeq Radio, in residence at the SoundFjord Gallery, London. The full twenty-five minute summer circuit of the moors is scheduled for … Continue reading
World Listening Day: “Melancholy were the sounds on a winter’s night.”
a walk through winter: 25:00 “Melancholy were the sounds on a winter’s night.” (Virginia Woolf, Jacob’s Room) Wednesday the 18th July 2012 will be the third World Listening Day. Organised by The World Listening Project, the day takes place on … Continue reading
Posted in field-recording, River, sound walk, Water, Winter, World Listening Day
Tagged acoustic ecology, Chalk streams, electro-acoustic, experimental music, field-recording, Hydrophone, john cage, Musique Concrete, perception, phonography, rain, Rhythm, River Itchen, silence, sound art, soundfield, soundscape, spatial acoustics, time
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Remembering movement: time and place thickened
Autumn walk: sharp oblongs of reverberation As summer begins to amble through spring, the remaining sonic perambulations of autumn and winter within the moors are completed. The recordings from which autumn is composed are now over a year old: the … Continue reading
a river runs through here: the pluck of air and fret of hydrophones
As part of the Winchester Arts Festival, 10 Days Across the City, I composed a cycle of three soundscapes for the auditorium of the Theatre Royal, Winchester. The cycle included a twenty-minute sound walk through a year of Winnall Moors … Continue reading
Posted in Autumn, Installation, River, spring, Summer, Water, Winter
Tagged acoustmatic, Daphne Oram, delia derbyshire, electro-acoustic, experimental music, field-recording, Hydrophone, Musique Concrete, perception, phonography, Pierre Shaeffer, River Itchen, sound art, soundscape, spatial acoustics, subaquatic sounds
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Three from underneath: rough tongues and a pond shanty
In April of last year the dipping pond turned black with the seasonal arrival of tadpoles. The water was transformed into a dark vibrating jelly: a primordial tadpole soup. I had sunk my hydrophone into this broth of possible toads … Continue reading
Posted in spring, Water
Tagged field-recording, Hydrophone, phonography, sound art, subaquatic sounds
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