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Tag Archives: Musique Concrete
Winter: that which was then solid now melts
Winter with dawn and Sporty Four walks around a year: winter Gruenrekorder | GrDl 141 The final winter perambulation through a year in winnall moors is released by Gruenrekorder on January 15th 2014. I find something intrinsically melancholic in the … Continue reading
Posted in field-recording, four walks around a year, Gruenrekorder, River, sound art, sound walk, soundscape, Water, Winter
Tagged acoustic ecology, Chalk streams, electro-acoustic, experimental music, field-recording, Gruenrekorder, Hydrophone, Musique Concrete, perception, phonography, rain, River Itchen, seasons, sound art, soundfield, soundscape, spatial acoustics, time
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World Listening Day: “Melancholy were the sounds on a winter’s night.”
a walk through winter: 25:00 “Melancholy were the sounds on a winter’s night.” (Virginia Woolf, Jacob’s Room) Wednesday the 18th July 2012 will be the third World Listening Day. Organised by The World Listening Project, the day takes place on … Continue reading
Posted in field-recording, River, sound walk, Water, Winter, World Listening Day
Tagged acoustic ecology, Chalk streams, electro-acoustic, experimental music, field-recording, Hydrophone, john cage, Musique Concrete, perception, phonography, rain, Rhythm, River Itchen, silence, sound art, soundfield, soundscape, spatial acoustics, time
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Remembering movement: time and place thickened
Autumn walk: sharp oblongs of reverberation As summer begins to amble through spring, the remaining sonic perambulations of autumn and winter within the moors are completed. The recordings from which autumn is composed are now over a year old: the … Continue reading
a river runs through here: the pluck of air and fret of hydrophones
As part of the Winchester Arts Festival, 10 Days Across the City, I composed a cycle of three soundscapes for the auditorium of the Theatre Royal, Winchester. The cycle included a twenty-minute sound walk through a year of Winnall Moors … Continue reading
Posted in Autumn, Installation, River, spring, Summer, Water, Winter
Tagged acoustmatic, Daphne Oram, delia derbyshire, electro-acoustic, experimental music, field-recording, Hydrophone, Musique Concrete, perception, phonography, Pierre Shaeffer, River Itchen, sound art, soundscape, spatial acoustics, subaquatic sounds
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Interruptions in the soundscape: sound squared
In early October there was a sudden interruption to the landscape and soundscape in the moors. The collapse of a ‘hatch’ diverting water from the river Itchen into the water meadow meant that emergency repair work had to be undertaken. … Continue reading
Posted in Autumn, field-recording, Gruenrekorder, River, sound art, sound walk, soundscape, Uncategorized, Water
Tagged acoustic ecology, Chalk streams, electro-acoustic, field-recording, Gruenrekorder, Musique Concrete, phonography, sound art, soundfield, soundscape, spatial acoustics, subaquatic sounds
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winnall moors : soundwalk 